Fences a Life-size Bronze Sculpture Allegory by James Muir Bronze Allegorical Sculptor-Artist

Fences a Life-size Bronze Sculpture Allegory by James Muir


life-size 6 feet high

edition 6

Click here for Fences Maquette

Click here for Fences Bookends

"Fences!" a portrait of an early cowboy taking a break from" working the fence line." With canteen of water to slake his thirst and trusty lantern to light his way through the approaching darkness, except for this occasional respite to look back on progress and forward on future-his labors are without end. Symbolically, the allegory runs much deeper. Today, as in the old west, fences represent exclusion and limitation, equally for those on either side, restricting our perspectives to certain cherished beliefs. Now, as then, the greater need is to cut those fences, rather than to string anew. This cowboy is prepared: clothed for stormy weather, with spurs to ride hard and swift, chaps to ward off the thorns and brambles of adversity, quirt to lash out of the way of the nay sayers, do-nothings and sycophants of negativity. Guided by the Lantern's Light and armed only with the sharp knife of truth and the incisiveness of his fencing tool, like the little David of old, his is still the battle against the Goliath of Falsehood, he stands four-square upon the Rock of Truth-the world will adjust.

"FREEDOM lies just beyond the Fences we build around ourselves."
James Nathan Muir

In 1873 Joseph Glidden, in the "civilized farm country of Dekalb, Illinois, patented "Winner Wire" the first twisted barb wire. I'm sure God has a special purgatory for the creators of such diabolical "things" as barb-wire, guns, tanks, automobiles, bulldozers, atomic bombs, and bad art. All of these, and more, have played a part in the decline of both us and the earth we live upon, and were intended to "protect and serve," but I have a particular dislike for wire fences-literally, artistically and especially spiritually. They are unnatural, unattractive and unspiritual.

Fences restrict our freedom for, as I've said in the original write up: "Freedom lies just beyond the fences we build around ourselves" but in addition, it is attainable for ourselves only by giving it to others. Having clarified this, it should not be too difficult to understand the literal interpretation of what he is really up to-the way he is holding his fence tool is the key. The higher interpretation not only goes much deeper but, looking deeper, still you will see the rock, the fence post and the man are all at the base one with the Lantern light of God. In fact, the rock is in the shape of the Hebrew letter "Yod" ~ a term for God. The post spirals up like the yin/yang of the serpents in "Caduceus;" the human DNA molecule of the "Tree of Life" to become his arms and is being watered by the open U.S. canteen of "us," the creators and the created.

"The Lord is my Rock, my Fortress and my Deliverer
My God is my Rock in whom I take refuge"
Psalm 18:2

Finally, the Lantern, the Light of God, has three paths to get to it-the three "S's." The first is the path of "Suffering," as represented by the jagged rock in back with its many and varied steps (twelve major ones.) This is the way humanity has struggled over for thousands of years and will continue to do so until, one by one, we learn of higher and faster paths. The second is the path of "Service," as represented by the point below the Lantern. Herein the first step is a high one as it is the decision to serve other rather than self. A hard choice but after that the steps come easier.

The third is the path of "Surrender," as represented by the "straight and narrow" canteen sling running directly from "U.S." to the "source."

The Ways

"To every man there openeth
A Way, and Ways and a Way.
And the High Soul climbs the High way,
And the low Soul gropes the Low.
An in between, on the misty flats,
The rest drift to and fro.
But to every man there openeth
A High way and a Low,
And every man decideth
The Way his soul shall go."
John Oxenham

Once surrendered to the "ONE" then every thought and deed from then on becomes increasingly centered on and dedicated to "Service to God through service to his creation." In the School of Philosophy of Ancient Atlantis the infinity symbol, 00, on a gold band identified its wearer as one who dedicated his/her life "In Service to the People in Service to God." These were the true followers of the "Law of ONE."

Fences a Life-size Bronze Sculpture Allegory by James Muir