sidebar"Allegorical Art" is a term James Muir uses to describe his work, which is filled with symbology to help create a heightened social, political and spiritual awareness. "The allegorical symbolism in my sculptures bridges the centuries of history to make contemporary statements about the human condition, in order to exemplify the highest qualities of man. My work speaks of Duty, Honor, Courage, Liberty and Justice, but above all, it speaks of Truth and the ultimate triumph of the human spirit". We accept Visa, Mastercard, American Express and Discover Credit Cards
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"Quo Vadis" Life-size Bronze Sculpture
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| "Quo Vadis" LIFE-SIZE BRONZE SCULPTURE Edition . . 12 Life-size 75"H |
| "Quo Vadis" Click here to view bust relief version BRONZE SCULPTURE BUST RELIEF |
| Edition . . 12 Size . . 33"H Price ... $6,000. |
| “Yes, I come to bring Peace, but first I bring the Great Sword of Truth that will bring illusion to the surface where it can be recognized and severed from that which is real.” Mathhew 10:34 vari. “For the Word of God is living and active. Sharper than any double-edged sword, it penetrates even to dividing soul and spirit, joints and marrow; it judges the thoughts and attitudes of the heart.” “Quo Vadis”—Where are you going?—an allegory of th resurrected Christ is a depiction in bronze of creation’s return to the Creator, of humanities return to God. From base to crown, a symbolic spiritual quest for the hidden meanings within, symbols within symbols, where God’s Truth is revealed. The base of raw un-hewn granite is the “Rock of Ages”—the solid foundation of Faith upon which all else must be built. It also symbolizes the physical nature of our being, the rough material of our souls. Thus, just as the sculptor chisels away at the unfinished stone, so must we chip away the unfinished nature of our spiritual selves, removing the non-essential and introducing from and meaning. As the sculptor and the spiritual seeker both progress, the raw material begins to take shape, to be squared away to become the “perfect ashlar,” the trued foundation stone, upon which God can build His house. The squared pedestal further represents the commonality of our collective growth through our spiritual community with others with its emphasis on tradition, teaching, and authority as foundations and guides. Its abrupt end as a funeral bier depicts the death of dogma and identification with physical, mental, and spiritual self-limiting beliefs. The cloak Jesus is wearing also represents the limitations imposed by illusion. Through spiritual growth, we leave illusion behind as in the resurrection, Christ left his shroud behind. Beyond illusion, we enter into the great Void, the ‘Passage Perilous’ opening into the true mystery of God. All that has gone before serves as important sign posts that point in the direction of God but they are not sincerely confront the question emblazoned on the scroll—‘Quo Vadis’—where are we truly going? Do we remain on the shore, clinging steadfastly to the illusions of our closed minds and hardened hearts, or do we cast ourselves on the tempestuous Sea of Enlightenment, in our ship of Faith to be borne along by the Breath of God. In the course of our journey, just as the diagonal robe depicts a change of attitude so, too, is safe passage assured only through an attendant attitude change from self-centered to God-centered. This change can only come about through the sacred heart of the beloved ‘Son of God’ and cannot be achieved without our own supreme sacrifice of the ego, the illusion of self, upon the great Sword of Truth. Thus it is that the figure of Jesus is depicted wearing a sling with a child’s wooden sword draws no blood, inflicts no violence. So it is with Truth, as we are reminded by Jesus’ exhortation to be like children in the purity and simplicity of our faith. The sword also has three nails in positions of crucifixion. The shadow of a human form, the ego, is burned into the sword, representing the resurrection that we experience each time we cut away another layer of illusion and reveal a greater degree Truth. The presence of an acorn at the center of the cross-shaped sword affirms that spiritual growth is incremental and inevitable. Like the re-leafing and annual growth of an oak, we are continually reborn with each new spring of Truth. As divine enlightenment unfolds our hearts like the petals of a rose, the pure gold of our true spiritual being is revealed. Herein lies our own resurrection—a transformation from the opaque density and heaviness of rock to the clarity and light of the infinite possibilities of this newly revealed higher realm. Additionally, while the shroud represents the cloaking aspect of delusion, there is always the golden thread of truth, that straight and narrow path, that extends unerringly from the base rock of materiality to the highest, lightest, area of spiritual realization. It is here that we finally come face to face with the Christ. The figure of Jesus is not only a personification of the Christ of God incarnate, He also best exemplifies the blending of duality into one perfect balance. The masculine, positive polarity is exemplified by the extended right hand in an expansive ‘yang’ gesture conferring God’s unconditional Love and Peace. The feminine, negative polarity is expressed in the open, receptive ‘yin’ gesture of the left hand. Like a Father, raising his right hand in sublime blessing to all who come to Him with an open and contrite heart and mind; like a Mother reaching forth to receive our hand in His, our trust in Him, to lead us to our final ‘at-one-ment’ with the Divine—to our own crown of victory. The crown of thorns, symbolic of His, and our own, suffering has been transformed to become a crown of spiritual victory. The trinity of nails, an emblem of the crucifixion of heart, mind, and soul to become pure Spirit through the ‘Chi’ (X) of the Christos, and ‘Rho’ ( r ) staff of the Divine Shepherd, emblazon a crown circled thrice ‘round by rose vines—a Holy Trinity accented by the twelve blossoming “rose-croix” of our own faithful discipleship. Like the very Rock of Ages baptized with the living blood of those who truly seek, the completed allegory forms the embodiment of the Christ, the Alpha and the Omega of our own spiritual journey back to God. A journey that begins, and ends, with Love. “...AND JUSTICE FOR ALL” by James Nathan Muir In the mythology of ancient Egypt, at death, the deceased’s heart would be weighed against the ‘Ma’at,’ the feather of Truth. If the heart, heavy with inequity, tipped the scales out of balance, the judged one would be ferried across the river Styx to the Underworld to serve the sentence of divine Justice. Today, the scales of social justice are tipped seriously askew and responsibility rests upon those within the judicial system to correct the imbalance before the Final Judgment is decided. While the heart above the scales denotes that all judgment must be tempered with compassion and mercy, the all-seeing eye of God suspended beneath reminds us all of the admonition that “as we judge, so shall we be judged.” The Lady of Justice, normally passive and trusting in the legal system, in her outrage has become the warrior fighting to prevent further transgression, if not her complete demise. Originally blind-folded to prevent undue influence, her ‘blindness’ has allowed her to be violated by the very people sworn to be her guardians. Rising as the naked truth out of the shroud of illusion, she brandishes the Sword of Justice. Although the twelve inches of the point are nicked and scarred from the battering and subjugation of our jury system at the hands of Power, the remaining twenty-four inches of Truth remain unblemished. Elusive and hidden as the pearl within its shell, Truth cannot be bought and sold, only temporarily obfuscated by falsehood. Yet all falsehood and illusion will themselves ultimately be crucified upon the cross of the omnipotent Sword of Truth when it pierces the heart in purification. “Wielding the sword of Truth, the Lady of Justice stands braced to defend a system out of balance. For without Truth, Justice is lost, and without Justice, Liberty is lost.” The serpents entwined around the Lady’s brow, one poisonous the other non, warn of the dangers inherent to those who presume to judge guilt or innocence without Truth and Justice as a supreme guide. The steps of the courthouse, the very halls of Justice, have been eroded and chipped away at by would-be usurpers. The 12-inch foundation steps represents the ideals of trial by a jury of peers, while the 9-inch upper step symbolizes the nine Supreme Court Justices of the highest court in the land. The sanctity of both vital institutions is in serious danger of crumbling along with the efficacy of the entire judicial process without a resounding response to the cries of alarm. Guardians of Justice, see her plight and hear her pleas; take up the weapons of Law to come to her defense. Stand by her side in mortal combat against the forces aligned against her, or perish in the struggle. Forget not your oaths to Justice. |
In keeping with his deep spiritual convictions and social consciousness, Muir's sculptural subjects have expanded to reflect the critical nature of the times in which we live. Yet, whether historical or contemporary, "the golden thread that ties it all together is still my never-ending quest for the essence of life— for Truth in its purest form."
James Muir awarded
The prestigious Olaf Weighorst Award at the Mountain Oyster Show in Tucson, Arizona, for the maquette of the Lifesize Baca Memorial to be installed May 24, 2008 at 11:00 a.m. in Reserve, New Mexico
James Muir Sculpture Studio & Gallery Anniversary Celebration
December 1, 2007
3-6:30 PM
Uqualla (Havasupai Medicine Man) will be performing
The Grand Opening of the new James Muir Sculpture Studio & Gallery is December 1st, 2006 3-7 p.m. with a special Ceremonial Blessing by "Uqualla" - Havasupai Medicine Man at 4:00 p.m